Every day I wonder why we need art, every day I can't live without it.
As a director I focus on telling stories about (art) history. I specialize in Dutch and Flemish art in the 17th century and the wonders of early modernism. Lately, however, I've found myself captivated by Palmyrean Funerary Portraiture. Most of the time, I work with museums. my favourite temples. Museums rekindle my purpose. Over the past decade, I've transitioned from crafting fast promotional content as a motion grapher to, for me, a more profound focus as a director.

My heart now belongs to creating longer films or interactives that profoundly enrich exhibitions. These films can be documentaries or custom autonomous pieces, designed to deepen the visitor's experience. My skillset is somewhat unusually broad and my immersion intense. This results in loyal long-term clients. That means I need to believe in the stories I am to help tell. In introducing people to art, I find my connection to them.

In the picture above, I am holding a sketch I did not make.

美術創意指導、視效設計師，擅將平面設計利用特效立體動態化，搭配剪輯與音效設計，為品牌創造整體形象塑造、視覺識別。紀錄影像作品則橫跨前期創意指導至後期技術階段，為傳統敘事創造更生動多元的閱聽可能性。長期與各國文化機構與廣告行銷單位合作，作品可見於歐美各大藝術展館、電視頻道，及網路社群平台等。